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Showing posts with label English. Show all posts
Showing posts with label English. Show all posts

Friday, 5 December 2025

O. Henry II American Author II English Literature II Brain Tech Tutorial II Free for all

William Sydney Porter (September 11, 1862 – June 5, 1910), better known by his pen name O. Henry, was an American writer known primarily for his short stories, though he also wrote poetry and non-fiction. His works include "The Gift of the Magi", "The Duplicity of Hargraves", and "The Ransom of Red Chief", as well as the novel Cabbages and Kings. Porter's stories are known for their naturalist observations, witty narration, and surprise endings.



Read O. Henry's books online.







Wednesday, 14 May 2025

Vocabulary: Some Useful Words ending with Phobia (fear), Philia (love) and Mania (obsession) ll English ll Brain Tech Tutorial


   Practicing English Grammar 

👉Words ending with phobia (FEAR)




Types of fear đŸ˜ąđŸ˜¨

▪️Fear of cats :: Ailuro-phobia* 
▪️Fear of bees :: Melisso-phobia
▪️Fear of birds :: Ornitho-phobia
Fear of bats :: Chiropto-phobia 
Fear of ants :: Myrmeco-phobia
▪️Fear of animals :: Zoo-phobia
▪️Fear of flying :: Aero-phobia 
▪️Fear of heights :: Acrophobia 
▪️Fear of strangers :: Xeno-phobia 
▪️Fear of fire :: Pyro-phobia 
▪️Fear of dark :: Nycto-phobia 
▪️Fear of injections :: Trypano-phobia 
▪️Fear of cooking :: Mageiroco-phobia
▪️Fear of work :: Ergo-phobia 
▪️Fear of studying :: Sopho-phobia 
▪️





to be contd...

Footnotes:
(1) Ailurophobia (the name comes from the Greek words 'ailouros' which means 'cat' and 'phobos' which means 'fear'.) is the persistent and excessive fear of cats. Like other specific phobias, the exact cause of ailurophobia is unknown, and potential treatment generally involves therapy.

Words ending with Philia (LOVE)

Words ending with Mania (OBSESSION)







 ◾◾◾◾◾


to be continued..


(Verification still pending)

Saturday, 26 April 2025

Origin of some proverbs ll Brain Tech Tutorial

āĻ•িāĻ›ু āχংāϰেāϜি Proverbs āĻ“ Idioms āĻāϰ āĻ‰ā§ŽāĻĒāϤ্āϤিāϰ āχāϤিāĻšাāϏ 


Add Insult To Injury (āĻ…āĻŦāϏ্āĻĨা āĻ–াāϰাāĻĒ āĻĨেāĻ•ে āĻ–াāϰাāĻĒāϤāϰ āĻ•āϰা)
āψāĻļāĻĒেāϰ āĻĒৌāϰাāĻŖিāĻ• āĻ•াāĻšিāύী “āϟাāĻ•āĻ“ā§ŸাāϞা āĻāĻŦং āĻŽাāĻ›ি” āĻĨেāĻ•ে āωāĻĻ্āĻ­āĻŦ āĻšā§ŸেāĻ›ে। āĻāϰ āĻ‰ā§ŽāĻĒāϤ্āϤিāϰ āĻŦিāώ⧟āϟি āĻĒাāĻ“ā§Ÿা āϝা⧟ āϰোāĻŽাāύ āϞেāĻ–āĻ• Phaedrus āĻāϰ āĻ…āύুāĻŦাāĻĻে। āĻ—āϞ্āĻĒে āφāĻ›ে āĻāĻ•āϟি āĻŽাāĻ›ি āĻāĻ•āϜāύ āϟাāĻ•āĻ“ā§ŸাāϞা āĻŽাāύুāώেāϰ āĻŽাāĻĨা⧟ āĻ•াāĻŽā§œ āĻĻি⧟েāĻ›িāϞ। āϟাāĻ•āĻ“ā§ŸাāϞা āĻŽাāĻ›ি āϤা⧜াāϤে āĻ—ি⧟ে āϏāϜোāϰে āύিāϜেāϰ āĻŽাāĻĨা⧟ āφāϘাāϤ āĻ•āϰে। āĻāϤে āύিāϜেāχ āύিāϜেāĻ•ে āĻŽাāϰাāϤ্āĻŽāĻ•āĻ­াāĻŦে āφāĻšāϤ āĻ•āϰে āĻŽুāĻŽুāϰ্āώ āĻĒāϰ্āϝা⧟ে āύি⧟ে āϝা⧟। āĻ…āĻĒāϰāĻĻিāĻ•ে āϤাāϰ āĻāĻŽāύ āĻ•াāύ্āĻĄে āϏেāχ āĻŽাāĻ›ি āϤাāϰ āĻŽাāĻĨাāϰ āϚাāϰāĻĒাāĻļে āĻŦিāĻĻ্āϰুāĻĒ, āϤাāĻŽাāĻļা āĻ•āϰে āĻ‰ā§œāϤে āĻĨাāĻ•ে। āĻāĻ•āχ āĻ—āϞ্āĻĒেāϰ āĻ…āĻĒāϰ āĻāĻ• āĻ…āύুāĻŦাāĻĻে āĻĒাāĻ“ā§Ÿা āϝা⧟, āϞোāĻ•āϟি āĻŦেঁāϚে āĻ›িāϞ āĻŽাāĻ›িāϰ āϤিāϰāώ্āĻ•াāϰ āĻ“ āĻ…āĻĒāĻŽাāύ āύি⧟ে।

By Chance (āϘāϟāύাāĻ•্āϰāĻŽে āĻŦা āĻ•োāύো āĻĒূāϰ্āĻŦ āĻĒ্āϰāϏ্āϤুāϤি āĻ›া⧜াāχ) 
ā§§ā§Šā§Ļā§Ļ āϏাāϞেāϰ āĻĨেāĻ•েāχ āĻāχ āĻĒ্āϰāĻŦāϚāύāϟি āĻŦ্āϝāĻŦāĻšৃāϤ āĻšā§Ÿে āφāϏāĻ›ে। āĻŽূāϞ Chance āĻ•āĻĨাāϟিāϰ āφāĻ—ে By āĻŦāϏে āĻ•ীāĻ­াāĻŦে āĻĒ্āϰāĻŦāϚāύāϟিāϰ āωāĻĻ্āĻ­āĻŦ āϘāϟেāĻ›ে, āϤা āĻšā§ŸāϤো āĻ–ে⧟াāϞ āĻ•āϰেāύি āĻ•েāω। āϤāĻŦে āĻāϟুāĻ•ু āϜাāύা āϝা⧟ āϝে, āϏেāχ āĻļেāĻ•্āϏāĻĒি⧟াāϰেāϰ āφāĻŽāϞেāĻ“ āĻĒ্āϰāĻŦāϚāύāϟি āĻ–ুāĻŦāχ āϏ্āĻŦাāĻ­াāĻŦিāĻ• āĻ›িāϞ। ā§§ā§Ŧā§§ā§§ āϏাāϞে āĻļেāĻ•্āϏāĻĒি⧟াāϰ āϤাāϰ ‘āĻĻ্āϝ āωāχāύ্āϟাāϰ্āϏ āϟেāϞ’ āύাāϟāĻ•ে āϞিāĻ–েāĻ›িāϞেāύ, “Though I am not naturally honest, I am so sometimes by chance.”

Between A Rock And A Hard Place
(āĻĻুāϟি āĻ…āĻĒāĻ›āύ্āĻĻেāϰ āĻŦিāώ⧟ āĻĨেāĻ•ে āĻāĻ•āϟি āĻŦাāĻ›াāχ āĻ•āϰা):
āĻŦাāĻ—āϧাāϰাāϟিāϰ āωāĻĻ্āĻ­āĻŦ āĻšā§ŸেāĻ›িāϞ āĻ–āύি āĻļ্āϰāĻŽিāĻ•āĻĻেāϰ āϜāύ্āϝ। āĻāϰ āĻĻ্āĻŦাāϰা āĻŦুāĻাāύো āĻšāϤো, āĻšā§Ÿ āĻŦেāĻ•াāϰāϤ্āĻŦ, āύ⧟ āĻ…āϞ্āĻĒ āĻŦেāϤāύে āĻ…āϧিāĻ• āĻļ্āϰāĻŽāϏাāϧ্āϝ āĻ•াāϜ। āĻāϰ āφāĻ—ে āĻ—্āϰিāĻ• āĻ•āĻŦি āĻšোāĻŽাāϰেāϰ āĻŽāĻšাāĻ•াāĻŦ্āϝ āĻ“āĻĄিāϏিāϤে āĻāϟি āĻĒাāĻ“ā§Ÿা āϝা⧟। āϝেāĻ–াāύে āĻ“āĻĄিāϏি⧟াāϏ āĻāĻŦং āϤাāϰ āϞোāĻ•āϜāύāĻ•ে āĻŽেāϏিāύাāϰ āϏাāĻ—āϰāĻŦেāώ্āϟিāϤ āϝে āϏ্āĻĨাāύ āĻĻুāϟি āĻĻাāύāĻŦ āĻĻ্āĻŦাāϰা āϏুāϰāĻ•্āώিāϤ āϏেāĻ–াāύে āϝেāϤে āĻšāϚ্āĻ›িāϞ। āĻĻাāύāĻŦ Scylla āĻ›িāϞ ⧧⧍ āĻĢিāϟ āωāϚ্āϚāϤাāϰ āĻ›ā§Ÿ āĻŽুāĻ–āĻ“ā§ŸাāϞা āφāϰ āĻ…āύ্āϝ āĻĻাāύāĻŦ Charybdis āĻ›িāϞ āϘূāϰ্āĻŖা⧟āĻŽাāύ āϜāϞāϏ্āϰোāϤ āϏৃāώ্āϟিāĻ•াāϰী। āĻāχ āĻĻুāϟোāϰ āϝেāĻ•োāύ āĻāĻ•āϟা āĻŦাāĻ›াāχ āĻ•āϰাāϰ āĻĢāϞাāĻĢāϞ āĻ›িāϞ āĻŽৃāϤ্āϝু। “between Scylla and Charybdis” āĻāχ āĻŦাāĻ—āϧাāϰাāϟি āĻĻ্āĻŦাāϰা āĻŦুāĻাāύো āĻšāϤো āĻĻুāϟো āĻŽāύ্āĻĻ āĻĨেāĻ•ে āĻ•āĻŽ āĻŽāύ্āĻĻāϟি āĻŦাāĻ›াāχ āĻ•āϰা।

Broken Heart (āĻ­āĻ—্āύāĻšৃāĻĻ⧟):
ā§§ā§Ē āĻļāϤāĻ• āĻĨেāĻ•েāχ āĻāϟি āĻŦ্āϝāĻŦāĻšৃāϤ āĻšā§Ÿে āφāϏāĻ›ে। āĻāĻ•্āώেāϤ্āϰে āĻšৃāĻĻ⧟āĻ•ে āĻŦ্āϝāĻŦāĻšাāϰেāϰ āĻŽূāϞ āĻ•াāϰāĻŖ āĻšāϞো, āϏে āĻĒ্āϰাāϚীāύāĻ•াāϞ āĻĨেāĻ•েāχ āϏāĻ•āϞ āĻŽাāύāĻŦিāĻ• āφāĻŦেāĻ—-āĻ…āύুāĻ­ূāϤিāϰ āĻŽূāϞ āĻ‰ā§ŽāϏ āĻšিāϏেāĻŦে āĻšৃāĻĻ⧟āχ āĻŦিāĻŦেāϚিāϤ āĻšā§Ÿে āĻāϏেāĻ›ে। āϏুāϤāϰাং, āĻ­াāϞোāĻŦাāϏা āĻĒ্āϰāĻŽাāĻŖেāϰ āϜāύ্āϝ āĻŦুāĻ• āϚিāϰে āĻšৃāĻĻ⧟ āĻŦেāϰ āĻ•āϰে āφāύা āĻŦা āĻ­েāĻ™ে āϟুāĻ•āϰো āϟুāĻ•āϰো āĻšāĻ“ā§Ÿা āĻšৃāĻĻ⧟েāϰ āωāĻĒāϏ্āĻĨাāĻĒāύ āĻ•োāύো āĻšাāϞ āφāĻŽāϞেāϰ āĻŦিāώ⧟ āύ⧟। āĻļāϤ āĻļāϤ āĻŦāĻ›āϰ āϧāϰে āĻŽাāύুāώেāϰ āϰোāĻŽাāύ্āϟিāĻ•āϤা⧟ āĻŦিāϰāĻš-āĻŦেāĻĻāύা āĻāĻ•āϟি āĻ…āĻŦিāϚ্āĻ›েāĻĻ্āϝ āĻ…ংāĻļ āĻšিāϏেāĻŦে āĻŦিāĻŦেāϚিāϤ āĻšā§Ÿে āĻāϏেāĻ›ে।

Bust One’s Chops (āĻ•াāϰো āϏāĻŽাāϞোāϚāύা āĻ•āϰা)
ā§§ā§Ž āĻļāϤāĻ•েāϰ āĻĻিāĻ•ে āϜুāϞāĻĢি āĻŦা āĻ›োāϟāĻ–াāϟ āĻ—োঁāĻĢ āϰাāĻ–া āϝāĻ–āύ āϜāύāĻĒ্āϰি⧟āϤাāϰ āĻļীāϰ্āώে āĻ›িāϞ, āϤāĻ–āύ āĻāϟি āĻŦ্āϝāĻŦāĻšৃāϤ āĻšāϤো āĻ•াāϰো āĻŽāϰ্āϝাāĻĻাāϰ āϚ্āϝাāϞেāĻž্āϜ āĻšিāϏেāĻŦে। āĻĒ্āϰāĻĨāĻŽ āĻŦিāĻļ্āĻŦāϝুāĻĻ্āĻŦেāϰ āĻļুāϰুāϰ āĻĻিāĻ•ে āĻāχ āϜāύāĻĒ্āϰি⧟āϤা āĻ•āĻŽāϤে āĻļুāϰু āĻ•āϰে। āĻ•াāϰāĻŖ āϏে āϏāĻŽā§Ÿ āĻĒ্āϰāϤিāϰāĻ•্āώাāĻŽূāϞāĻ• āĻ—্āϝাāϏ āĻŽাāώ্āĻ•েāϰ āϏাāĻĨে āĻŽাāύি⧟ে āύিāϤে āĻĒুāϰুāώāĻĻেāϰ āĻŽুāĻ–েāϰ āĻĒাāϰ্āĻļ্āĻŦāĻ…ংāĻļ āĻļেāĻ­িং āĻ•āϰাāϰ āĻĻāϰāĻ•াāϰ āĻšāϤো।

Break the Ice (āϏāĻŽ্āĻĒāϰ্āĻ•েāϰ āĻŦāϰāĻĢ āĻ—āϞাāύো):
āϧাāϰāĻŖা āĻ•āϰা āĻšā§Ÿ āϝে, āϏāĻŽুāĻĻ্āϰে āύৌāĻ•া āϚাāϞাāύোāϰ āϏāĻŽā§Ÿ āϝāĻ–āύ āϏাāĻŽāύে āĻ•োāύো āĻŦ⧜ āĻŦāϰāĻĢāĻ–āĻŖ্āĻĄ āϚāϞে āφāϏāϤো āĻāĻŦং āϤাāϰ āĻĢāϞে āύৌāĻ•া āύি⧟ে āϏাāĻŽāύে āĻāĻ—োāύো āϝেāϤো āύা, āϤāĻ–āύ āύৌāĻ•াāϰ āĻŽাāĻিāϰা āĻāĻ• āĻ•āĻ িāύ āĻĒāϰিāϏ্āĻĨিāϤিāϰ āϏāĻŽ্āĻŽুāĻ–ীāύ āĻšāϤো। āĻ…āύেāĻ• āϚেāώ্āϟা-āϚāϰিāϤ্āϰ āĻ•āϰে āĻŦāϰāĻĢ āĻ­েāĻ™ে āĻŦা āĻ—āϞি⧟ে, āĻŽাāĻāĻ–াāύেāϰ āĻĢাঁāĻ•া āĻĻি⧟ে āĻŦা āĻĒাāĻļ āĻĻি⧟ে āϤাāĻĻেāϰ āϏাāĻŽāύেāϰ āĻĻিāĻ•ে āĻāĻ—ি⧟ে āϝেāϤে āĻšāϤো। ā§§ā§­ āĻļāϤāĻ•েāϰ āĻļুāϰুāϰ āĻĻিāĻ• āĻĨেāĻ•ে āĻāϟি āφāĻ•্āώāϰিāĻ• āĻ…āϰ্āĻĨেāχ āĻŦ্āϝāĻŦāĻšৃāϤ āĻšā§Ÿে āĻāϏেāĻ›ে। āĻ•িāύ্āϤু āĻŦāϰ্āϤāĻŽাāύ āϰূāĻĒāĻ•াāϰ্āĻĨāϟিāϰ āφāĻ—āĻŽāύ āϘāϟেāĻ›ে āĻ…āύেāĻ• āĻĒāϰে, āϏāĻŽ্āĻ­āĻŦāϤ ⧧⧝ āĻŦা ⧍ā§Ļ āĻļāϤāĻ•েāϰ āĻĻিāĻ•ে। āĻĻুāϟি āĻŽাāύুāώেāϰ āĻŦা āĻĒāĻ•্āώেāϰ āĻŽāϧ্āϝāĻ•াāϰ āϜ⧜āϤা āĻ•াāϟি⧟ে āϏ্āĻŦাāĻ­াāĻŦিāĻ• āϏāĻŽ্āĻĒāϰ্āĻ• āĻŦা āφāϞোāϚāύা āϚাāϞাāϤে āϝাāϰ āĻŦ্āϝāĻŦāĻšাāϰ।

Calculated Risk (āĻšিāϏাāĻŦ-āύিāĻ•াāĻļ āĻ•āϰে āύে⧟া āĻুঁāĻ•ি)
āĻŦāϰ্āϤāĻŽাāύ āϏāĻŽā§Ÿেāϰ āωāĻĻ্āϝোāĻ•্āϤাāϰা āĻšā§ŸāϤো āĻ•āĻĨা⧟ āĻ•āĻĨা⧟ āĻāχ āĻĒ্āϰāĻŦāϚāύāϟি āĻŦ্āϝāĻŦāĻšাāϰ āĻ•āϰে āĻĨাāĻ•ে, āϤāĻŦে āĻāϰ āĻŦ্āϝāĻŦāĻšাāϰ āĻŽূāϞāϤ āĻļুāϰু āĻšā§ŸেāĻ›ে āĻĻ্āĻŦিāϤী⧟ āĻŦিāĻļ্āĻŦāϝুāĻĻ্āϧেāϰ āϏāĻŽā§Ÿ āĻĨেāĻ•ে। āϤāĻ–āύ āϏৈāύ্āϝāĻŦাāĻšিāύীāϰ āĻĒ্āϰāϧাāύেāϰ āϝেāĻ•োāύো āĻ…্āϝাāĻ•āĻļāύ āύে⧟াāϰ āφāĻ—ে āϚিāύ্āϤা-āĻ­াāĻŦāύা āĻ•āϰāϤেāύ, āĻ…্āϝাāĻ•āĻļāύāϟি āĻŦ্āϝāϰ্āĻĨ āĻšāϞে āĻ•্āώāϤি āĻ•েāĻŽāύ āĻšāĻŦে, āφāϰ āϤাāϰ āĻŦিāĻĒāϰীāϤে āϏāĻĢāϞ āĻšāϞে āϞাāĻ­ āĻšāĻŦে āĻ•āϤāϟুāĻ•ু। āĻ…āϰ্āĻĨাā§Ž, āĻāĻ–াāύে Calculated āĻļāĻŦ্āĻĻāϟি āĻŽূāϞāϤ āĻĒāϰিāĻ•āϞ্āĻĒিāϤ āĻ…āϰ্āĻĨে āĻŦ্āϝāĻŦāĻšৃāϤ āĻšāϤো।

Running Amok (āφāĻ•āϏ্āĻŽিāĻ• āφāϘাāϤ)
āĻāχ āĻļāĻŦ্āĻĻāϏāĻŽāώ্āϟিāϰ āĻŽূāϞ āϧাāϰāĻŖাāϟি āφāϏে ā§§ā§­ āĻļāϤāĻ•ে āĻŽাāϞ⧟āĻĻেāϰ āĻ•াāĻ› āĻĨেāĻ•ে। āĻļāĻŦ্āĻĻāϟি āĻŽাāϞ⧟ āĻļāĻŦ্āĻĻ 'mengamok' āĻĨেāĻ•ে āωāĻĻ্āĻ­āĻŦ, āϝাāϰ āĻ…āϰ্āĻĨ āĻ•্āώিāĻĒ্āϤ āĻ“ āĻ…āϏংāϝāϤ āĻ…āĻ­িāϝোāĻ— āĻ•āϰা। āĻŦিāĻĻ্āĻŦেāώāĻĒāϰা⧟āĻŖ āĻšā§Ÿে āϝāĻ–āύ āĻ•েāω āĻ•াāϰো āωāĻĒāϰ āĻাঁāĻĒি⧟ে āĻĒ⧜ে, āϤāĻ–āύ āϐ āĻŦ্āϝāĻ•্āϤি āĻŦিāϚাāϰāĻŦুāĻĻ্āϧি āĻšাāϰি⧟ে āĻšাāϤেāϰ āĻ•াāĻ›াāĻ•াāĻ›ি āĻĨাāĻ•া āϏāĻŦ āĻ•িāĻ›ুāϰ āĻ•্āώāϤি āĻ•āϰāϤে āĻĨাāĻ•ে, āϝāϤāĻ•্āώāĻŖ āύা āϤাāĻ•ে āĻĻāĻŽāύ āĻ•āϰা āĻšā§Ÿ। āĻāχ āϧāϰāĻŖেāϰ āĻĒāϰিāϏ্āĻĨিāϤিāϤে āφāĻ•্āϰাāύ্āϤ āĻŦ্āϝāĻ•্āϤি āĻ…āϧিāĻ•াংāĻļ āϏāĻŽā§Ÿ āĻŽৃāϤ্āϝুāĻŦāϰāĻŖ āĻ•āϰে। ā§§ā§­ā§­ā§Ļ āϏাāϞে āĻŦ্āϰিāϟিāĻļ āύাāĻ—āϰিāĻ• āϜেāĻŽāϏ āĻ•ুāĻ•েāϰ āĻŦিāĻŦāϰāĻŖীāϤে āĻļāĻŦ্āĻĻāϟি āĻĒাāĻ“ā§Ÿা āϝা⧟।

Carbon Copy (āϞিāĻ–িāϤ āĻ•োāύো āĻ•িāĻ›ুāϰ āύāĻ•āϞ)।
āĻĒ্āϰāĻŦāϚāύāϟি āĻļুāϰুāϤে āφāĻ•্āώāϰিāĻ• āĻ…āϰ্āĻĨেāχ āĻŦ্āϝāĻŦāĻšৃāϤ āĻšāϤো। ⧧⧝ āĻļāϤāĻ•েāϰ āĻļেāώāĻĻিāĻ•ে āĻ•াāϰ্āĻŦāύ āĻ•াāĻ—āϜেāϰ āφāĻ—āĻŽāύ āϘāϟে। āϤāĻ–āύ āĻāĻ•āϟি āĻ•াāϰ্āĻŦāύেāϰ āωāĻĒāϰ āĻ•িāĻ›ু āϞেāĻ–া āĻšāϞে, āĻ•াāĻ—āϜ āĻ­েāĻĻ āĻ•āϰে āĻ•াāϞি āύিāϚেāϰ āĻ•াāĻ—āϜেāĻ“ āϚāϞে āϝেāϤো, āĻ…āϰ্āĻĨাā§Ž āωāĻĒāϰেāϰ āφāϰ āύিāϚেāϰ āĻ•াāĻ—āϜে āĻ…āĻ­িāύ্āύ āϞেāĻ–া āϤৈāϰি āĻšāϤো। āϏāĻŽā§Ÿেāϰ āĻĒ্āϰāĻŦাāĻšে āĻ…āύেāĻ• āύāϤুāύ āĻĒ্āϰāϝুāĻ•্āϤিāϰ āφāĻ—āĻŽāύ āϘāϟেāĻ›ে। āφāϜāĻ•াāϞ āϞেāĻ–া āύāĻ•āϞ āĻ•āϰāϤে āĻ•াāϰ্āĻŦāύ āĻ•াāĻ—āϜেāϰ āĻĒ্āϰ⧟োāϜāύ āĻšā§Ÿ āύা। āĻĢāϟোāĻ•āĻĒি āĻŽেāĻļিāύ āĻĨেāĻ•ে āĻļুāϰু āĻ•āϰে āĻ•āĻŽ্āĻĒিāωāϟাāϰ āĻĒāϰ্āϝāύ্āϤ āĻ…āύেāĻ•āĻ­াāĻŦেāχ āϞেāĻ–া āύāĻ•āϞ āĻ•āϰা āϝা⧟। āϤাāϰāĻĒāϰāĻ“ āĻĻুāϟি āϞেāĻ–াāϰ āĻŽāϧ্āϝে āĻŽিāϞ āĻĒাāĻ“ā§Ÿা āĻ—েāϞে, āĻĒ্āϰāĻĨāĻŽেāχ āφāĻŽাāĻĻেāϰ āĻŽাāĻĨা⧟ āφāϏে āĻ āĻĒ্āϰāĻŦāϚāύāϟি।

White Elephant (āĻāĻŽāύ āĻ•িāĻ›ু āϝাāϰ āĻ–āϰāϚ āϤাāϰ āĻŽূāϞ্āϝেāϰ āϚে⧟েāĻ“ āĻŦেāĻļি)
āĻāϟি āĻĨাāχāϞ্āϝাāύ্āĻĄ āϰাāϜাāĻĻেāϰ āĻĒাāϞিāϤ āĻĒ্āϰāĻĨা āĻĨেāĻ•ে āωāĻĻ্āĻ­āĻŦ। āĻ•াāϰো āĻ•াāϜে āĻ…āĻĒāĻŽাāύিāϤ āĻšā§Ÿে āϝāĻ–āύ āϰাāϜা āĻ•াāωāĻ•ে āĻļাāϏ্āϤি āĻĻিāϤে āϚাāχāϤেāύ, āϤিāύি āϏāϰাāϏāϰি āĻĒ্āϰাāĻŖāĻĻāύ্āĻĄ āύা āĻĻি⧟ে āĻ…āĻĒāϰাāϧীāĻ•ে āĻāĻ•āϟি āϏাāĻĻা āĻšাāϤি āωāĻĒāĻšাāϰ āĻĻিāϤেāύ। āϝেāϟা āĻĻেāĻļেāϰ āĻĒ্āϰāϤীāĻ• āϏ্āĻŦāϰূāĻĒ। āĻ…āϰ্āĻĨাā§Ž āĻŦিāĻ•্āώুāĻĻ্āϧ āϤāĻŦে āϏৌāϜāύ্āϝāϤাāϰ āϏাāĻĨে āĻļাāϏ্āϤি। āĻ…āĻĒāϰাāϧীāĻ“ āĻāχ āωāĻĒāĻšাāϰ āĻ…āϏ্āĻŦীāĻ•াāϰ āĻ•āϰāϤে āĻĒাāϰāϤো āύা। āĻ•েāύāύা āĻāϟি āϰাāϜāύৈāϤিāĻ• āĻŦিāĻļ্āĻŦাāϏāϘাāϤāĻ•āϤাāϰ āϏāĻŽাāύ। āĻ•েāω āĻāχ āϧāϰāύেāϰ āĻ…āĻĒāϰিāĻŽিāϤ āĻŦ্āϝা⧟েāϰ āωāĻĒāĻšাāϰ āĻ•েāύ āĻ…āϏ্āĻŦীāĻ•াāϰ āĻ•āϰāĻŦে? āĻ•াāϰāĻŖ āĻāχ āϏাāĻĻা āĻšাāϤিāϰ āĻĻেāĻ–া-āĻļুāύা āĻ•āϰা, āĻ…āĻĒāϰাāϧীāĻ•ে āĻĻেāωāϞি⧟া āĻŦাāύি⧟ে āĻĻিāĻŦে। āχংāϰেāϜী āĻļāĻŦ্āĻĻāĻ•োāώে “āϏাāĻĻা āĻšাāϤি” āĻŦাāĻ—āϧাāϰাāϰ āĻĒāϰিāϚিāϤি āϘāϟে āĻļোāĻŽ্āϝাāύ āĻ“ āϏাāϰ্āĻ•াāϏেāϰ āĻŽাāϞিāĻ• āĻĒি āϟি āĻŦাāϰāύাāĻŽ āĻāϰ āĻšাāϤ āϧāϰে। āϤিāύিāχ āĻĒ্āϰāĻĨāĻŽ āĻĻেāĻļেāϰ āĻŦাāχāϰেāϰ āĻāĻŽāύ āĻāĻ• āĻĒ্āϰাāĻŖীāĻ•ে āϜāύ āϏāĻŽ্āĻŽুāĻ–ে āĻšাāϜিāϰ āĻ•āϰেāĻ›িāϞেāύ।

āĻ›āĻŦি: A white elephant at the Amarapura Palace in 1855 by Colesworthy Grant.

*Collected from social media 




Thursday, 24 April 2025

Short Stories: The Donkey Who Knew the Wind ll Brain Tech Tutorial

THE DONKEY WHO KNEW THE WIND

In the rolling hills of a sun-drenched village, where dust danced on the wind and baobab trees whispered stories to the clouds, lived a donkey named Jabu. He was old, with a greyed coat and tired eyes. The other animals mocked him gently.

“He’s too slow.”
“He’s just a beast of burden.”
“He carries, but never leads.”

And so Jabu walked in silence—day after day—carrying firewood, water, and sometimes the laughter of children.

But Jabu had a secret.

He listened to the wind.

He had learned its voice when he was just a foal. The wind would hum warnings, whisper news, and carry scents from faraway lands. Jabu never spoke of it—only listened, always watching the sky.

One season, the clouds vanished. The earth cracked. The crops withered.

The villagers and animals grew desperate.

“We must find water,” cried the chief.
“Or we will not survive,” murmured the gazelle.

The birds flew far and returned with nothing. The elephant stomped the ground, hoping to unearth a spring. The lion roared at the sun.

Then Jabu, slow and steady, stepped forward.

“I will go,” he said.

The others chuckled.

“You? You barely move.”
“You are not a seeker.”

But the wind whispered again. And Jabu followed.

He walked for days. Through dust. Through thorns. Through silence.

Then, one dawn, he stopped. His ears twitched. The wind curled around him like an old friend. He stomped the ground and brayed.

Water.

He had found it. A deep spring, hidden beneath rock and sand.

The villagers dug. The water gushed. Life returned.

From that day, Jabu was no longer just the donkey. He was the Listener of the Wind.

And when the breeze moved, everyone turned to hear what it might say—through Jabu’s ears.


Moral Lessons:
 1. Wisdom isn’t in how fast you move, but how well you listen.
 2. Never underestimate those who walk quietly—they often carry the loudest truths.
 3. Sometimes, the one everyone overlooks holds the key to everyone’s survival.

*The story is collected from social media 

Short Stories ll English ll Brain Tech Tutorial

A Lawyer and A Teacher 



A lawyer sold his well to a teacher. Two days later, the lawyer came to the teacher and said, "Sir, I sold you the well, but it's not with the water inside! If you want to use the water, you will have to pay extra."

The teacher smiled and replied, "Yes, I was about to come to you. I was going to say that you should take your water from my well, or else you will have to start paying rent from tomorrow."

Hearing this, the lawyer got nervous and said, "Oh, I was just joking!"

The teacher laughed and said, "This is how people like you become lawyers after studying with us." 

*Writer's name not known.
The story is collected from social media.

Friday, 14 March 2025

Spoken English ll Difference Between Words ll Learning Languages ll Brain Tech Tutorial


Difference between Words 
with almost same meaning 


āĻŦাংāϞা āĻ­াāώাāϝ় 
Do - āĻ•āϰা Make - āĻ•āϰা,
āĻ•িāύ্āϤু āχংāϰাāϜি āĻŦা āĻŦাংāϞা āĻŦ্āϝাāĻŦāĻšাāϰেāϰ āĻ•্āώেāϤ্āϰে āĻĒাāϰ্āĻĨāĻ•্āϝ āφāĻ›ে।
Both verbs are frequently employed in everyday conversation, yet they possess distinct meanings and uses. Do is typically utilized for actions, tasks, and work that do not culminate in the creation of a physical object. It often pertains to general activities or responsibilities that require completion, especially when the emphasis is on the action itself rather than its outcome.



Been Vs Gone 



Spoken English Tips ll Vocabulary ll Learning Languages ll Brain Tech Tutorial

 


Some tips on Spoken English 



Spoken English: What does it mean?



English Vocabulary 📖 

"Palsy-walsy" is a (informal) term used to describe a relationship that is very friendly or overly familiar. It's often used to refer to friendships that seem excessively close or insincere. 


For example, you might say, "They've only known each other for a week, but they're already acting all palsy-walsy." Or, 

"I don't trust him, he's palsy-walsy with everyone he meets." 


Try using this word in your own sentence.


#wordoftheday #englishexpressions #empower_english2020




Learning Languages ll Basic Vs Advance English ll Brain Tech Tutorial

Wednesday, 12 March 2025

Antonyms ll Vocabulary ll Brain Tech Tutorial ll Free For All


Antonym: a word of opposite meaning 

 





List 

A
▪️able - disable
▪️against - for ▪️agree - disagree, deny▪️accept - refuse 
B
C
D
E
F
G

▪️good - bad

S
▪️soft - hard ▪️small - big 

T
▪️tall - 





contd...
the page is under prosess 


*Video credit goes to the creators 


Diseases ll Learning Languages ll English ll Vocabulary ll Brain Tech Tutorial


Q. How is disease defined? 
Ans. Briefly, disease denotes a structural or functional anomaly in humans, animals, or plants, identified by characteristic signs, symptoms, or localized effects, and not simply a consequence of direct physical harm or injury.





Name of the common diseases*
(alphabetically arranged)

*āĻŦাংāϞা āĻ­াāώাāϝ় āϏāĻŽাāϰ্āĻĨāĻ• āĻļāĻŦ্āĻĻ āĻšāϞো - 
āĻ…āϏুāĻ–, āϰোāĻ—, āĻŦ্āϝাāϰাāĻŽ, āĻŦ্āϝাāϧি, āĻĒীāĻĄ়া 

▪️Dementia - āϏ্āĻŽৃāϤিāĻ­্āϰংāĻļ, āωāύ্āĻŽাāĻĻ
▪️Diabetice - āĻŦāĻšুāĻŽূāϤ্āϰāϤা 
▪️Fever - āϜ্āĻŦāϰ 






Translation Mechanism ll English ll Learning Languages ll Verb+Preparation ll Brain Tech Tutorial

Translation Mechanism: English to Bengali and vice versa 



Use of verb prefer to (preposition)
Some examples shown below : 

▪️āφāĻŽি āĻ•āĻĢিāϰ āϚেāϝ়ে āϚা āĻĒāĻ›āύ্āĻĻ āĻ•āϰি।
 I prefer tea to Coffee.
▪️āφāĻŽি āĻাāϞেāϰ āϚেāϝ়ে āϟāĻ• āĻĒāĻ›āύ্āĻĻ āĻ•āϰি। 
I prefer sour to pungent.
▪️āφāĻŽি āĻļাāϰ্āϟেāϰ āϚেāϝ়ে āĻĒাāĻž্āϜাāĻŦী āĻĒāĻ›āύ্āĻĻ āĻ•āϰি। 
I prefer panjabi to shirt.
▪️āφāĻŽি āĻĢুāϟāĻŦāϞেāϰ āϚেāϝ়ে āĻ•্āϰিāĻ•েāϟ āĻĒāĻ›āύ্āĻĻ āĻ•āϰি।
 I prefer Cricket to Football.
▪️āφāĻŽি āĻŽেāϏিāϰ āϚেāϝ়ে āϰোāύাāϞāĻĻোāĻ•ে āĻĒāĻ›āύ্āĻĻ āĻ•āϰি।
 I prefer Ronaldo to Messi.
▪️āφāĻŽি āĻŽোāĻŦাāχāϞেāϰ āϚেāϝ়ে āĻ•āĻŽ্āĻĒিāωāϟাāϰ āĻĒāĻ›āύ্āĻĻ āĻ•āϰি।
 I prefer computer to mobile.
▪️āφāĻŽি āϞাāϞেāϰ āϚেāϝ়ে āĻ•াāϞো āĻĒāĻ›āύ্āĻĻ āĻ•āϰি।
 I prefer black to red.
▪️āφāĻŽি āϏ্āĻĒ্āϝাāύিāĻļ āĻāϰ āϚেāϝ়ে āχংāϞিāĻļ āĻĒāĻ›āύ্āĻĻ āĻ•āϰি।
 I prefer English to Spanish.
▪️āφāĻŽি āϜুāϏ āĻāϰ āϚেāϝ়ে āĻ•োāĻ•াāĻ•োāϞা āĻĒāĻ›āύ্āĻĻ āĻ•āϰি।
 I prefer Coca-cola to juice.

đŸĻ‹
▪️I'm a man of words.
āφāĻŽি āĻāĻ• āĻ•āĻĨাāϰ āĻŽাāύুāώ।

Common Mistakes in English ll Learning Languages ll Brain Tech Tutorial

Common mistakes frequently occur while writing in English. Some examples are presented below:

You and me ❌
You and I ✔️
You can do more better. ❌
You can do much better. ✔️
She cooks good. ❌
She cooks will. ✔️
One of my friend ❌
One of my friends ✔️
I've a good news. ❌
I've good news. ✔️
Wrong: 
Right: 



to be contd...

Vocabulary ll Words used instead of very ll Brain Tech Tutorial


   Practicing English Grammar 




Words to use
     instead of very 

▪️very lazy - indolent 
▪️very fatty - obese
▪️very afraid - terrified 
▪️very crowded - bustling 
▪️very simple - basic
▪️very tall - towering 
▪️very lively - animated 
▪️very eager - keen
▪️very detailed - meticulous 
▪️very deep - profound 
▪️very dry - parched  
▪️very deppresed - despondent 
very different - disparate 
▪️very difficult - challenging  
very disagreeable - Obnoxious 
very distressing - dreadful 

▪️very confused - perplexed 
▪️very angry - furious 
▪️very beautiful - exquisite 
▪️very fast - quick 
▪️very risky - perilous 
▪️very short - brief 
▪️ 
very small - tiny


▪️very weak - 
▪️very strong 
▪️very small - tiny
▪️very large 

▪️very useful 


▪️ 
 ◾◾◾◾◾

Words used instead of very

to be continued..


(Verification still pending)

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